Sunday, April 5, 2015

Photojournalism and Bias


Going Home

Ed Clark’s photograph named ‘Going home’ is a very touching one, and really causes you to feel the subject’s pain.
I see a navy shipman that is very patriotic and also emotionally broken by the death of former president Franklin D Roosevelt. This shows that the navy shipman loved his country and would do anything to protect it.
Photo by - Ed Clark
Image Source - 
http://www.thegreatleapsideways.com/?p=209   
The subject in the photograph, Graham Jackson, was playing the song ‘Goin home’ on his accordion as the funeral train passed, which would be an emotional moment for anyone who loses someone they look up to or idolize.
I believe that this photo accurately depicts the truth of the situation because you see that everyone in the picture is also emotional and touched by the playing of the accordion.
Clark could have cut the women out of the photograph in this instance and just focused on Graham Jackson, but he decided to include them because this showed that the death of Roosevelt had a nationwide effect on the people, not just one member of the navy. 

 Photo Analysis
 
Photo by: Ed Clark
Year Created: 1945
Principle #1: Subjects expressionThe photographer really captured the subject’s pain and emotion in this picture which doesn’t seem to be staged, as it is said he was playing a song as the funeral train passed by, so it was a sensitive moment. The photographer not only captured the subject’s expression, but also the reactions of others to the subject’s emotion. The emotion in the women’s faces watching shows you that they feel his pain also, and that he was playing a very relevant song for the sad situation.

Principle #2: Is the image black & white or color? – The image is in black and white and I think this is the case because it seems that this was the photographer’s choice. Brucemuseum.org states that Clark was forced to carry around an outdated large studio camera because this was the only tool available for him at the time. He then moved to smaller cameras with faster films, which I’m not sure that they had a color function, but maybe Clark was too used to shooting in black and white and didn’t want to make the transition to color just yet.

Principle #3: In or out of focus – The main focus of this photograph is on the subject and his facial expression. What makes this photo great is that the photographer gives just enough depth of field to see the women in the backgrounds emotions also, while slightly blurring the background making sure not to distract you from the main subject.



Image A - Truth 

Photo by - John Partipilo
Image Source - http://i.dailymail.co.uk/i/pix/2012/03/21/article-0-1242C6F5000005DC-859_964x623.jpg

Unfortunately, photographs like this are usually only seen by people who set out to look for them.
Whenever you hear about poverty or extreme cases of hardship, you are lead towards photographs of people, mainly children, in parts of Africa. Unfortunately, what the media never shows you are the photographs of people who are experiencing poverty in your own country, such as the United States of America. The media only shows you what the people want to see, which a lot of the time might not be the truth. The real truth about the economy and wealth of the United States is that there in fact are families who are living on the streets, or in a home with barely any income, or enough food to feed themselves or their children. This photograph here, to me, represents the truth.
Yes, the photograph was most probably staged and it does look like the family is posed for the shot, but this does not alter the truth, it just makes it easier to see.
In my opinion, the truth of a photograph is one that shows the real meaning, and concern of the situation. The truth of this photograph is that there are thousands of cases in the United States that share this situation where there is not enough food in the house to feed the family. Poverty exists everywhere, but the media only show us photographs of it occurring in other countries so we forget about it happening in our own.
When speaking about this photograph, I used the Emotion, and also the logic way of knowing to determine that this photograph is the truth. It is not ethically right not to expose the public to poverty that is happening in their own country, and this is backed up by my own experience of all the images I have read about or seen on the television, purely showing poverty in parts of Africa.

 Photo Analysis

Photo by: John Partipilo
Year Created: 2012
Principle #1: Quality of lightThe main/only source of light in the photograph is from the open fridge, which really draws your attention to that first, showing that there is barely any food in there, and that the girl is so hungry that she is climbing to try to find something to eat. This light from the fridge perfectly lights up the important things in the room such as the baby and mothers face, showing you the suffering that they are going through.

Principle #2: Contrast Appropriate – The way that this photograph was shot makes the important parts of the photograph light up, leaving everything else to be dark like they are living in a dark, cold home. There are dark areas which are unimportant to the photograph, but very bright areas where the photographer wants you to look at, so the level of contrast is perfect for the situation.

Principle #3: What feelings does the image create?The way the fridge lights up the important parts of the, causes you to feel how the subjects in the image are feeling. You feel the darkness of the situation due to the lack of light in the room. You feel the mother’s pain after her husband’s death, leaving her with no money to feed her family. Not only is she mourning her husband’s death, but she is struggling to provide for her family due to lack of funds.  



Image B - Not Truth


Photo by - Rex Features
Image Source -

  This photograph was taken in 1935 and shows Nazi leader Adolf Hitler laughing with a colleague or friend. To me, this photograph is not a true representation of the leader’s personality or what he stands for. The photographer is making Hitler out to be one that never takes himself seriously or someone that is able to joke about often. When you look at this picture you would not think that this man was the leader of Nazi Germany. This photograph may have been taken so that people would portray Hitler as a nice person instead of the mass murderer that he was.
Professor Nordell speaks in his video on the content section of module 11 about when he took photographs of the Massachusetts governor. He was able to take a photograph or the governor looking heroic one minute, then next minute capture a moment where he looks “like a bum”. This proves that the truth in photographs can easily be altered and the control is in the hands of the photographer. Nordell also says talks about how he wanted to accurately depict the truth of the situation by saying “So this is the message I wanted to get across, but might be the real truth of the situation”
 The truth of the situation is created by the photographer and what message he chooses to convey at that time. In this case, the photographer was most probably under orders from Hitler himself to take a photograph of him which makes it look like he is laid back, able to laugh and joke around, and that he is capable of being a nice person.
In this image, the photographer leads the viewer to believe that this moment of laughter is a true representation of the Nazi Leader.
I used the language and logic ways of knowing when forming my argument that this photograph does not depict the truth. Facts show that Hitler was a mass murderer, and that he would use techniques such as this photograph, to make his people like him.


 Photo Analysis

 
Photo by: Rex Features
Year Created: 1935
Principle #1: Rule of thirds – The photographer avoided capturing Hitler and his colleague in the centre of the frame, and decided to put them off to the side. This draws your attention to that side of the photograph and to Hitler’s expression. This allows you to see the surrounding of the photograph, but with shallow depth of field to show that this information wasn’t relevant and the attention should be on the subjects.

Principle #2: Depth of field – A fairly shallow depth of field was used in order to maintain focus on Hitler’s facial expression. The depth of field allows you to see the environment in which the photograph was taken, but does not show the background in much detail.

Principle #3: Exposure time – A quick shutter speed was used to capture the moment as you can tell by the photograph that the man next to Hitler was genuinely in a moment laughing and was not posed.
I am not sure what shutter speeds were available for shooting back in 1935, but the correct one was used to freeze the moment of laughter.





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